Xian Drum and Bell Towers and Night Market

Located in the center of the ancient city of Xian, are two of its most famous symbols, the Drum and Bell towers. The Bell Tower is located in the exact center of the ancient city, with the Drum Tower located a block away. The area has been turned into Xian's commercial district, and a lot of shopping can be done in the area. It is all beautifully designed and landscaped. At night, the commercial district is open late, and the Drum and Bell towers are lit up. It is a really beautiful site.

The Drum and Bell towers were used in ancient times as the time keeping center for the entire city. At 7:00 pm the bells and chimes were rung 13 times. Every two hours after that, the drums were beaten one time to keep time. These times were very important for local officials who had to rise early to do their duties according to the early morning drum beats. The towers are now museums allowing visitors get a glimpse into Xian's past. The bases of the towers are built of stone blocks, but the rest of the structures are built of wood and every inch of them is covered with colorful paintings. The roofs are glazed tiles and the two structures are incredibly beautiful.Located in the exact center of Xian is the ancient Bell Tower. It is a beautiful structure especially at night when it is lit up. Located inside the Bell Tower are a set of bronze bells and stone chimes which musicians play for visitors. The music they play dates from the Tang Dynasty. It sounds very mysterious and unworldly. On the second floor is a museum of porcelain. It houses some gorgeous examples of ancient Chinese porcelain from some of the most famous kilns in China's history. From the Bell Tower's balcony, visitors can look down the four cardinal streets of the city can see the four main city gates in the distance. The Drum Tower located a block away from the Bell Tower houses a large collection of ancient drums. Some are replicas, but they are all very beautiful and show the broad diversity of drums used in ancient China.

Located behind the Drum tower is Xian's night market. The area is a large shopping district made up of small lanes and alleys. The buildings are built in the architectural style of the Qing dynasty, and are quite colorful. At night, many venders, peddlers and snack sellers set up booths along the narrow streets to sell local arts and foods to people. The shops sell Xian specialties like art supplies, traditional fans, tea shadow puppets, and snacks. There are many tea houses where visitors can relax, have a cup of tea, and watch people. The snack venders along the streets sell local cuisine. Since they are located right on the streets, the fantastic smells are everywhere and even people who are full, cannot help but buy something to snack on. The people are very friendly, and the prices are very reasonable (after bargaining). Near the old streets is a large market comprised of tents. Dried fruits, pickled snacks, and touristy type items can be found there.

Xian's Drum and Bell Towers are just two of the many amazing historic and cultural sites the city of Xian has to offer visitors. There is so much more to the city of Xian than just the Terracotta Warriors and the City Walls. Visitors should spend a couple days to really appreciate this fantastic city.

Silk Road Travel

Silk Road, is the collective name given to a number of trade routes linking the Chinese and Roman Empire. The long and winding Silk Road in northwest China has a history of more than two thousand years. This ancient route starts from the old capitals of Luoyang and Xi'an and reaches the Yellow River at Lanzhou and then follows along the "Gansu Corridor" and stretches along the edge of deserts and mountains.
Trade along the route were conducted by central Asian Merchants from who brought horses, cattle, furs, hides and luxuries such as ivory and jade. New goods were also introduced to the Chinese by the traders such as Cucumber, walnut, sesame, figs, alfalfa and pomegranate, and new skills such as using grapes to make wine, which enriched China's ancient civilization.
The plodding caravans and the central Asia merchants both became part of history. Today the Silk Road tells many stories of ancient times and the changes to society. The thousands of kilometers are filled with cultural heritage and historical sites. The route has become increasingly popular among travelers.

Shaanxi History Museu

　Shaanxi Province is the birthplace of the ancient Chinese civilization. Xian City was the capital city in thirteen dynasties which in total lasted over 1100 years. Consequently, the ancient history of Shaanxi is to some degree the ancient history of China. The Shaanxi History Museum considers it an obligation to be a showcase of ancient civilizations. It is situated in the southern suburb of Xian City, northwest of the Big Wild Goose Pagoda.Since it was opened to the public in 1991, its architectural buildings, internal apparatus, and exhibits have made it famous as a first-class museum in China.
　General Introduction
　The museum occupies an area of 65,000 square meters (16 acres). It is a grand complex of buildings imitating the architecture style of the Tang Dynasty (618-907). A primary pavilion stands in the center, and secondary pavilions of varying heights are distributed orderly around it. With black, white and grey as the predominant colors, the buildings have a solemn and rustic charm. The museum is furnished with central air-conditioning and multi-functional lighting system to ensure the protection of the culture relics. It is a comprehensive museum with more than 370,000 exhibits of different times and kinds. The two-storied primary pavilion is divided into the following three main exhibition halls:
　Basic Exhibition Hall
　The Basic Exhibition Hall is composed of the No 1 exhibition hall, the No 2 exhibition hall and the No 3 exhibition hall, marked by time order. The No 1 exhibition on the first floor hall displays the articles used during the period from 1.7 million years ago to 206 BC of the Qin Dynasty (221 BC-206 BC). This exhibition contains rough stone tools used by the ape man, the pottery, bronze sacrificial vessels, weapons and terracotta figures. By visiting the No 2 Exhibition Hall on the second floor, you will gain a general understanding of the historical process from 206 BC in the Han Dynasty (206 BC-220AD) to 589 AD in the Northern and Southern Dynasties (386-589). Papermaking, one of China's great inventions, and some important historical events are portrayed on the scroll painting. The No 3 Exhibition Hall on the second floor is dedicated to articles in the dynasties: the Sui (581- 618), the Tang (618-907), the Song (960-1279), the Yuan (1271-1368), the Ming (1368-1644) and the Qing (1644-1911). The model of the grand Chang'an City (Xian) during the Sui and the Tang, the shiny silver and gold utensils, pottery figures and the high-quality chinaware all await to be relished by the eyes.
　Theme Exhibition Hall
　To the west of the Basic Exhibition Hall lies the Theme Exhibition Hall. The hall is 2,500 square meters (26,909 square feet) and usually features a variety of theme exhibitions. The exhibitions in this hall are often theme-oriented to show the history or the culture relics of Shaanxi Province, such as the 'Shanxi Bronze Ware Exhibition', the 'Shaanxi Pottery Figure Exhibition' and the 'Buddhist Culture Relic Exhibition'. A fresco hall is under construction, in which visitors will be able to enjoy the frescos unearthed from the tombs of the Tang Dynasty and explore the social life of that time.
　East Exhibition HallThe East Exhibition Hall, equal in size to the Theme Exhibition Hall, is also on the first floor and to the east of the basic hall. It is used for contemporary exhibitions of high quality. The duration of the exhibitions varies depending on the exhibition theme. The various exhibition themes, high-grade exhibition design and lively exhibition forms will surely please your eyes. Exhibitions of the frescos, the culture relics, the folkways, the fine arts and the calligraphy are conducted continuously

Forest of Stone Steles Museum

　Once the site of the Temple of Confucius during the Northern Song dynasty (960-1127), the Forest of Stone Steles Museum is situated on Sanxue Street, near the south gate of Xian City Wall. It was initially established in AD 1087 when some precious stone steles were moved here for safe keeping, including the 'Classic on Filial Piety' written by Emperor Xuanzong in AD 745 and 'the Kaicheng Stone Steles' carved in AD 837. With an area of 31,000 square meters, the Forest of Stone Steles used to be the principal museum for Shaanxi Province since 1944. Then because of the large number of stone steles, it was officially named as the Forest of Stone Steles Museum in 1992.
　With 900 years of history, this treasure house holds a large collection of the earliest stone steles of different periods, from the Han Dynasty to the Qing Dynasty. All together, there are 3,000 steles and the museum is divided into seven exhibitions halls, which mainly display the works of calligraphy, painting and historical records. All of these record some achievements in the development of the Chinese culture and reflect the historical facts of the cultural exchanges between China and other countries.
　Now, please come with me to the exhibition halls.
　Room One mainly displays 'the Kaicheng Stone Classics', which contains twelve lections caved on 114 steles. The lections include 'the Book of Changes', ' the Book of History' , 'the Book of Songs', 'the Analects of Confucius' and some others of this kind. These are the must-read books for the intellectuals of the feudal society. At that time the printing was under development. In order to well preserve these lections, the rulers ordered to engrave them on the stone steles.
The stone tablets written by the calligraphers during the Tang Dynasty (618-907) are exhibited in the Room Two. It has the collection of the masterpieces of the famous calligraphers as OuYang xun, Yan Zhenqing, Wang Xizhi and Liu GongquanNestorian Tablet is the most useful material for experts to study the cultural exchanges between the Tang Dynasty and the other states.
Room Three houses the calligraphy-collection, which is of great importance. As a traditional art, calligraphy occupies the same position of importance as the painting in the history of Chinese art. In China, the scripts are classified into five categories: seal script, official script, regular script, running-hand and cursive-hand. Through these tablets, you could learn much about the evolvement of the Chinese haracters.
　Painting Stones in Room Four were engraved with historical records. You could see the portraits of Confucius and Bodhidarma on some and the allegorical pictures and texts written to appear like pictures on others. In ancient times, the rulers of different dynasties preferred to build temples and solidify the city wall. Some records of this form of Song, Yuan, Ming and Qing dynasties engraved on the steles are preserved in Room Five. Of course, if you enjoy the poetic inscriptions, you would certainly want to go to Room Six. Emperors, noted ministers and well-reputed calligraphers of various dynasties have left many inscriptions, some of which are shown in Room Seven.The Stone Sculpture Gallery was built in 1963, including mausoleum stone sculpture and religious stone sculpture from Western Han Dynasty (206BC-24AD) to Tang Dynasty. It is prized as a great treasure in the art of world stone sculptures

Xian City Wall

　When Zhu Yuanzhang, the first Emperor of the Ming dynasty (1368-1644), captured Huizhou, a hermit named Zhu Sheng admonished him that he should 'built high walls, store abundant food supplies and take time to be an Emperor,' so that he could fortify the city and unify the other states. After the establishment of the Ming dynasty, Zhu Yuanzhang followed his advice and began to enlarge the wall built initially during the old Tang dynasty (618 -907), creating the modern Xian City Wall. It's the most complete city wall that has survived in China, as well being one of the largest ancient military defensive systems in the world.
　After the extension, the wall now stands 12 meters (40 feet) tall, 12-14 meters (40-46 feet) wide at the top and 15-18 meters (50-60 feet) thick at the bottom. It covers 13.7 kilometers (8.5 miles) in length with a deep moat surrounding it. Every 120 meters, there is a rampart which extends out from the main wall. All together, there are 98 ramparts on the wall, which were built to defend against the enemy climbing up the wall. Each rampart has a sentry building, in which the soldiers could protect the entire wall without exposing themselves to the enemy. Besides, the distance between every two ramparts is just within the range of an arrow shot from either side, so that they could shoot the enemy, who wanted to attack the city, from the side. On the outer side of the city wall, there are 5948 crenellations, namely battlements. The soldiers can outlook and shoot at the enemy. On the inner side, parapets were built to protect the soldiers from falling off.
　Since the ancient weapons did not have the power to break through a wall and the only way for an enemy to enter the city was by attacking the gate of the city wall. This is why complicated gate structures were built within the wall. In Xian, the city wall includes four gates and they are respectively named as Changle (meaning eternal joy) in the east, Anding (harmony peace) in the west, Yongning (eternal peace) in the south and Anyuan (forever harmony) in the north. The south gate, Yongning, is the most beautifully decorated one. It is very near to the Bell Tower, center of the city. Important greeting ceremonies organized by the Provincial Government are usually held in the south gate square.
　Each city gate has three gate towers: Zhenglou, Jianlou and Zhalou. The most outside is Zhalou, which stands away from the City Wall and is opposite to Zhenglou. It was used to raise and lower the suspension bridge. Jianlou with small windows in the front and flanks was used as a defensive outpost. Zhenglou, in the inner, is the main entrance to the city. The wall connects Jianlou and Zhenglou Towers. The area between them within the wall was called 'Wong Cheng', in which the soldiers stationed. From Wong Cheng, there are sloped horse passages leading to the top of the city wall.
　Initially, the wall was built with layers of dirt, with the base layer including also lime and glutinous rice extract. Throughout the time Xian City Wall has been restored three times. In 1568, Zhang Zhi (the government officer of that period) was in charge to rebuild the wall with bricks. In 1781, another officer, Bi Yuan, refitted the city wall and the gate towers. More recently (since 1983) the Shaanxi Provincial Government restored the city wall again. A circular park has been built along the high wall and the deep moat. The thriving trees and flowers decorate the classical Chinese architecture of the wall, adding additional beauty to the city of Xian.A nice suggestion for tourists: Try biking on the City Wall, you will have an enjoyable and interesting experience

Big Wild Goose Pagoda (Dayan Ta)

　As the symbol of the old-line Xian, Big Wild Goose Pagoda is a well-preserved ancient building and a holy place for Buddhists. It is located in the southern suburb of Xian City, about 4 kilometers (2.49 miles) from the downtown of the city. Standing in the Da Ci'en Temple complex, it attracts numerous visitors for its fame in the Buddhist religion, its simple but appealing style of construction, and its new square in front of the temple. It is rated as a National Key Cultural Relic Preserve as well as an AAAA Tourist Attraction.
　This attraction can be divided into three parts: the Big Wild Goose Pagoda, the Da Ci'en Temple, and the North Square of Big Wild Goose Pagoda.
　Big Wild Goose Pagoda
　Originally built in 652 during the reign of Emperor Gaozong of the Tang Dynasty (618-907), it functioned to collect Buddhist materials that were taken from India by the hierarch Xuanzang.
Xuanzang started off from Chang'an (the ancient Xian), along the Silk Road and through deserts, finally arriving in India, the cradle of Buddhism. Enduring 17 years and traversing 100 countries, he obtained Buddha figures, 657 kinds of sutras, and several Buddha relics. Having gotten the permission of Emperor Gaozong (628-683), Xuanzang, as the first abbot of Da Ci'en Temple, supervised the building of a pagoda inside it. With the support of royalty, he asked 50 hierarchs into the temple to translate Sanskrit in sutras into Chinese, totaling 1,335 volumes, which heralded a new era in the history of translation. Based on the journey to India, he also wrote a book entitled 'Pilgrimage to the West' in the Tang Dynasty, to which scholars attached great importance.
　First built to a height of 60 meters (197 feet) with five stories, it is now 64.5 meters (211.6 feet) high with an additional two stories. It was said that after that addition came the saying-'Saving a life exceeds building a seven-storied pagoda'. Externally it looks like a square cone, simple but grand and it is a masterpiece of Buddhist construction. Built of brick, its structure is very firm. Inside the pagoda, stairs twist up so that visitors can climb and overlook the panorama of Xian City from the arch-shaped doors on four sides of each storey. On the walls are engraved fine statues of Buddha by the renowned artist Yan Liben of the Tang Dynasty. Steles by noted calligraphers also grace the pagoda.
　As for the reason why it is called Big Wild Goose Pagoda, there is a legend. According to ancient stories of Buddhists, there were two branches, for one of which eating meat was not a taboo. One day, they couldn't find meat to buy. Upon seeing a group of big wild geese flying by, a monk said to himself: 'Today we have no meat. I hope the merciful Bodhisattva will give us some.' At that very moment, the leading wild goose broke its wings and fell to the ground. All the monks were startled and believed that Bodhisattva showed his spirit to order them to be more pious. They established a pagoda where the wild goose fell and stopped eating meat. Hence it got the name 'Big Wild Goose Pagoda'.
　Da Ci'en Temple
　Da Ci'en Temple is the home of Big Wild Goose Pagoda. In 648, to commemorate the dead virtuous queen, royalty ordered the building of a temple named 'Ci'en' (Mercy and Kindness), for which the status and scale far exceeded all others. Today, with an area of 32,314 square meters (38,648.5 square yards), one seventh of the original area, it still retains its grandeur.
　Before the temple, there stands a statue of hierarch Xuanzang, the meritorious hierarch. Walking on and across a small bridge, visitors will see the gates of the temple. With guarding lions, the temple seems stately for lions were said to function as talismans.
　Entering the temple you will see two buildings-Bell Tower in the east and Drum Tower in the west. Inside the Bell Tower hangs an iron bell 15 tons (14.76 gross tons) in weight. It was molded in 1548 in the Ming Dynasty (1368-1644). Along the central axis are arranged the Hall of Mahavira, Sermon Hall, Big Wild Goose Pagoda, and the Hall of Xuanzang Sanzang. In the Hall of Mahavira are three carved statues of Sakyamuni, and 18 arhats as well as Xuanzang. The Sermon Hall is where Buddhist disciples would listen to a sermon. A bronze statue of Amitabha is dedicated and a Buddha statue is collected by Xuanzang as oblation. The Hall of Xuanzang Sanzang is north of Big Wild Goose Pagoda. In this hall are Xuanzang's relic and a bronze statue of a seated Xuanzang. The inner wall is chiseled with murals depicting this hierarch's story. Renowned as the contemporary Dunhuang Buddhist storehouse praised by UNESCO, it is the biggest memorial of Xuanzang.
North Square of Big Wild Goose Pagoda
Surrounding Big Wild Goose Pagoda, the scenery is also quite charming, especially the square north of the Da Ci'en Temple. Covering about 110,000 square meters (131563 square yards) plus 20,000 square meters (23920.6 square yards) of water area, it holds many records: in Asia, it is the biggest Tang-culture square, the biggest fountain and waterscape square, and the largest-scale sculptures area. In the world, it has the most benches, the longest light-belt, and the largest-scale acoustic complex.The entire square is composed of waterscape fountains, a cultural square, gardens and tourist paths. There you can taste real Chinese culture and traditions and fully enjoy the truly attractive views. With reliefs on the theme of the prosperous Tang Dynasty, 200-meter-long (656-foot-long) sculpture groups, 8 groups of sculpted figures, 40 relievos on the land, and 22 styles of musical fountains, it has become a must-see when you visit Big Wild Goose Pagoda.

Mausoleum of the First Qin Emperor

　Speaking of Qin's Terracotta Warriors and Horses, I dare say that most people definitely have heard about it or even have paid a visit. Its grandeur and mystery really overwhelm you. However, people could have neglected the yet unexcavated mausoleum of Emperor Qin Shi Huang due to all this. Actually, the Museum of Terracotta Warriors forms only part of the tomb. Greater things are yet to come.
　Qin Shi Huangdi (259 BC - 210 BC), the first emperor of China, ascended the throne at the age of 13, when construction of his tomb began. On completion of his many conquests, he ordered 720,000 conscript laborers to hurry up on building his royal tomb. It was finished just-in-time in 210 BC for his use. His son, the second Qin Emperor,saw to his entombment.
　Location
　The tomb of Qin Shi Huang is located in the eastern suburbs of Lintong County, 35 kilometers (22 miles) east of Xian: on the Lishan Mountain in the south and overlooking the Wei River towards north. The lay of the land from Lishan to Mount Hua is shaped dragon-like according to traditional Chinese geomancy. The imperial tomb is at the eye of the dragon. The emperor had chosen well.
　Dimensions
　In size, the mausoleum is larger than the Great pyramid in Egypt. Seen from afar, it is a hill overgrown with vegetation. It is believed that the tomb consists of an interior city and an exterior city. The exterior of the mausoleum is a low earth pyramid with a wide base. In 2000 years, the original 100-meter-high (328 feet) hillock has been weathered down to about 47 meters (154 feet) high, 515 meters (1,690 feet) long from south to north and 485 meters (1,591 feet) wide east to west. In an area of 2,180,000 square meters (less than one square miles), many large-scale alhambresque buildings housing precious treasures are said to be buried inside the tomb. According to historical records, the mausoleum was a notorious crime scene. Many laborers died of hardship during its construction, and all the workmen were entombed along with the emperor in order to keep their mouths shut.
　Also all the barren royal concubines accompanied the emperor on his last journey.
　The Historical Records
　Sima Qian, a great historian who wrote in early Han dynasty, offered archeologists great insight on the mausoleum's construction. We learned from him that the tomb is huge. The coffin of Emperor Qin Shihuang was cast in bronze. Underground Palace was gem-studded replica of imperial housing above ground. Moreover, booby traps with automatic-shooting arrows were installed to deter would-be tomb robbers. Heaven and earth were represented in the central chamber of the tomb. Ceiling shaped into sun, moon and stars by inlaying pearls and gems symbolizes the sky and the ground was an accumulation point of rivers, lakes and seas, like Yellow River and Yangtze River, which stands for the earth. It is said that the underground palace was brightly lit by whale oil lamps for eternity. Nowadays, the records in this book have been definitely proved right by archaeological findings and the underground palace of the tomb is presumably well preserved.
　Remains of the Mausoleum
　As a part of the mausoleum, the terracotta warriors have dazzled the world. But the materials unexcavated are also worth studying. Qin bricks and tiles, engraved with decorative patterns, are strew everywhere around the tomb. There are many satellite tombs built for accompanying Qin Shihuang. Ministers, princesses and princes, the famous and the not so famous were inhumed there. The burial pits for horses, rare birds and pottery figures were ever regarded as the sacrificial objects to the Emperor. Hence the remains from these tombs and pits are beneficial for archaeologists to make further research.
　Hopefully one day, the entire mausoleum will be unearthed and displayed to the public.

Huaqing Hot Springs

　Situated at the northern foot of Mt. Lishan in Lintong County, 30 kilometers (18.6 miles) from Xian City, Huaqing Hot Spring is famed for both its dainty spring scenery and the romantic love story of Emperor Xuanzong (685-762) and his concubine Yang Guifei in the Tang Dynasty (618-907). Its long history and location among the wonderful landscapes of Xian should entice any visitor to visit and bathe in this hot spring.
　It is said that King You built a palace here during the Western Zhou Dynasty (11th century BC-711 BC). Additions were subsequently made by the First Emperor Qing (259 BC-210BC) and Emperor Wu during the Western Han Dynasty (206 BC-24). During his reign, the Emperor Xuanzong spent dizzying amounts of his funds to build a luxurious palace, changing its name to Huaqing Hot Spring or Huaqing Palace. Over the course of 41 years in his days, he visited the palace as many as 36 times. The palace thus has a history of 3,000 years and the hotspring a history of 6,000 years! Ranked among the Hundred Famous Garden in China, it is also has the status as a National Cultural Relic Protection Unit and a National Key Scenic Area.
　A Visit to the Huaqing Hot Spring
　Entering the gate which bears the inscription 'Huaqing Chi' (Huaqing Hot Spring) by Guo Moruo, a noted literary in China, visitors are greeted by two towering cedars. By continuing inward passing two symmetrical palace-style plunge baths and turning right, you will see the Nine-Dragon Lake. Despite the fact that the lake is artificial with an area of 5,300 square meters (6339 square yards), it constitutes one of the main enchanting sceneries in the Huaqing Palace. You will see lotus floating on the water and emitting sweet fragrance, and a white marble statue of Yang Guifei - recognised as one of the four most beautiful women in ancient China - stands tall by the lake like a shy and appealing fairy. Mirrored in the lake you will see a surrounding complex of constructions interspersed with willows and rocks, including Frost Flying Hall (Feishuang Hall) in the north, Yichun Hall and Chenxiang Hall respectively in the east and west as well as Nine Bend Corridor and Dragon Marble Boat. The magnificent Frost Flying Hall used to be the bedroom of Emperor Xuanzong and Yang Guifei, with red supporting pillars and fine-patterned carving. Living in a place so full of spice must have made the inhabitants invigorated and pleased.
　Walking southwards through Dragon Marble Boat and several pavilions, you will find the Site of Imperial Pool, which is the only one of its kind to be discovered in China. The five remaining pools are the Lotus Pool, Haitang Pool, Shangshi Pool, Star Pool and Prince Pool. The lotus-like Lotus Pool was made for the Emperors' bath, the Haitang Pool resembling a Chinese Crabapple was intended for concubines, and the Shangshi Pool was designated for officials. It is said that the former Star Pool had no roof and nothing to cover its four sides. There, must have been possible to truly experience the eternal beauty of Yang Guifei.
　Huan Garden is the former garden of the Huaqing Palace. There lie the Lotus Pavilion, Viewing Lake Tower (Wanghu Lou), Flying Rainbow Bridge (Feihong Qiao), Flying Glow Hall (Feixia Ge), and Five-Room Hall (Wujian Ting). In popular legend, the Flying Glow Hall was once the place where Yang Guifei would overlook the scenery and cool down her long hair. The Five-Room Hall was built in the late Qing Dynasty (1644-1911). It was the shelter of Empress Dowager Cixi after the Eight-Power Allied Force captured Peking in 1900, and was also the temporary residence of Chiang Kai-shek, the leader of the Chinese Nationalist Party during the world-famous Xian Incidence in 1936. The Huan Garden also features a large-scale mural carrying the inscription 'Yang Guifei Was Summoned to Serve the Emperor in Huaqing Hot Spring'. Composed of 90 white marbles, the mural is 9.15 meters (30 feet) long and 3.6 meters (11.8 feet) high. Depicting the scene of the feast in which Emperor Xuanzong summoned Yang Guifei, it reflects the prosperity of the Tang Dynasty. Odes of Huaqing Hot Spring are also witnesses of past politics, economy and art.
　By visiting the Huaqing Hot Spring, you will not only enjoy the scenery, but also taste the joy of imagining yourself back in the days of the Tang Dynasty.
　The first pleasure to experience is to have a bath in the imitational Guifei Pool. With an even temperature of 43 degree (109 F), the ever-flowing water of the hot spring contains minerals and organic materials that have therapeutic effects on the skin. Water originating from four spring reaches a discharge level of 112 tons per hour. In the bath pool, you can experience the same comfort as did the Emperor Xuanzong or Yang Guifei.
　After the discovery of remains of Tang operas and entertainments, the Exhibition Hall of Tang Art was built in 1995. Here, you can enjoy dance performances imitating the Tang style and a Chinese tea ceremony in the teahouse.
　In the palace of Huaqing Hot Spring, visitors who are interested in calligraphy will be delighted to discover the inscriptions collected there. Currently, the inscriptions include in total 7 steles, 16 stones with poems, 7 stone inscriptions, 4 stone carving, and an additional 69 tablets discovered in 1949. All of them represent elite work in the field of calligraphy art and materials of their kinds.
　Since Huaqing Hot Spring is located at the foot of Mt. Lishan with remains of ancient buildings such as a beacon tower of Western Zhou Dynasty and the Old Mother Hall of the Tang Dynasty, there are many legends and allusions about it. Among them, the most famous and profound one is about Misusing the Beacon Tower to Tease Vassals.
　It happened in the Western Zhou Dynasty during the reign of fatuous King You. At first, he ruled his state relatively peacefully and prosperously and allied with the neighboring feoffs by using a beacon tower in case of invasion of other ethnic groups. If an incident occurred, he could light the fire on the tower as a signal, and then his allies would come to help. However, everything changed after he asked a small country, Bao, to pay the beauty Bao Si in tribute.
After Bao Si, who was extremely charming, moved into his palace, she started missing her parents a lot and never presented a single smile. To please her, the King made her the new queen and gave her plenty of largess, but she kept her long face intact and remained taciturn. In lack of another solution, a treacherous court official called Guo Shifu suggested lighting the fire on the beacon tower in order to fool the vassals of other states. King You brought his favorite queen to the beacon tower and followed Guo Shifu's advice. Upon seeing the flame licking the sky, troops of allied feoffs hurried to the tower. To their surprise, they discovered nothing more dangerous than the laughter of King You and Bao Si, so they returned to their feoffs in sulking dismay.
　Seeing the happy smile of Bao Si, King You delightedly rewarded Guo Shifu with a thousand taels of gold. After that, he and his queen played with the beacon tower several times, and each time, the troops would leave disappointed. One day, the ethnic group 'Quan Rong' presented a real threat to the kingdom. The King immediately set the beacon tower on fire, but this time, the troops no longer believed him and never showed up in defence. The King was killed and his queen was captured, thus ending the Western Zhou Dynasty.This story gave birth to the idioms 'A smile values a thousand taels of gold' and 'Misusing beacon tower to tease vassals'.

Banpo Museum

　The Banpo Museum is located in the eastern outskirt of Xian City, Shaanxi Province. As the first museum at the prehistoric site, it was built at the base of the excavations of the Banpo site. Since it opened to the public formally in 1958, two million people have visited it.
　The Banpo Site is a typical Neolithic matriarchal community of the Yangshao Culture dating back about 6,000 years. At that time, the Banpo people used tools made primarily of wood and stone. Women, the crucial labor force, were responsible for making pottery, spinning, and raising the family, while men fished.
　The approximately 4,500 square meters (about 1 acre) exhibit area of Banpo Museum is divided into two Exhibition Halls and a Site Hall.
　The first Exhibition Hall is about the unearthed relic exhibitions consisting of the First Hall and the Second Hall. The showpieces in this two halls are primarily production tools and domestic tools used by the primitive Banpo people, including axes, chisels, sickles, and stone and pottery knives from which we can have a general picture of the production activities of the Banpo people thousands of years ago. In addition, artwork and adornments here reflect the social life, culture, art and inventions of the period.
　The second Exhibition Hall is primarily used for auxiliary exhibitions and it contains two halls. Special shows are held here on ethnology, folklore and the history of art related to the prehistoric culture.
　The Site Hall is about 3,000 square meters (about 0.7 acre) and contains residential, pottery making and burial section. And among the three, the residential section is the main part of the site, including the huts, kilns and tombs of the primitive residents. All these present us an outlook of the aboriginal village and the hard situations of the forefathers in pursuing the civilization, reflecting the production level and the social systems at that period of time.The Banpo Matriarchal Clan Community Village is an extension of the museum based on archeological findings. The entire village enriches the cultural connotation of the museum and carries forward the long and splendid history of China at the same time.

Museum of Qin Terra-cotta Warriors and Horses

The Terra Cotta Warriors and Horses are the most significant archeological excavations of the 20th century. Work is ongoing at this site, which is around 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi province. It is a sight not to be missed by any visitor to China.
　Upon ascending the throne at the age of 13 (in 246 BC), Qin Shi Huang, later the first Emperor of all China, had work begun on his mausoleum. It took 11 years to finish. It is speculated that many buried treasures and sacrificial objects had accompanied the emperor in his after life. A group of peasants uncovered some pottery while digging for a well nearby the royal tomb in 1974. It caught the attention of archeologists immediately. They came to Xian in droves to study and to extend the digs. They had established beyond doubt that these artifacts were associated with the Qin Dynasty (211 --206 BC).
　The State Council authorized to build a museum on site in 1975. When completed, people from far and near came to visit. Xian and the Museum of Qin Terra Cotta Warriors and Horses have become landmarks on all travelers' itinerary.
　Life size terracotta figures of warriors and horses arranged in battle formations are the star features at the museum. They are replicas of what the imperial guard should look like in those days of pomp and vigor.
The museum covers an area of 16,300 square meters, divided into three sections: No. 1 Pit, No. 2 Pit, and No. 3 Pit respectively. They were tagged in the order of their discoveries. No. 1 Pit is the largest, first opened to the public on China's National Day, 1979. There are columns of soldiers at the front, followed by war chariots at the back.
　No. 2 Pit, found in 1976, is 20 meters northeast of No. 1 Pit. It contained over a thousand warriors and 90 chariots of wood. It was unveiled to the public in 1994.Archeologists came upon No. 3 Pit also in 1976, 25 meters northwest of No. 1 Pit. It looked like to be the command center of the armed forces. It went on display in 1989, with 68 warriors, a war chariot and four horses.
　Altogether over 7,000 pottery soldiers, horses, chariots, and even weapons have been unearthed from these pits. Most of them have been restored to their former grandeur.The Terracotta Warriors and Horses is a sensational archeological find of all times. It has put Xian on the map for tourists. It was listed by UNESCO in 1987 as one of the world cultural heritages.